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- <text id=94TT1786>
- <title>
- Dec. 19, 1994: Music:Scathing Guitars, Pretty Tunes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Dec. 19, 1994 Uncle Scrooge
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/MUSIC, Page 76
- Scathing Guitars, Pretty Tunes
- </hdr>
- <body>
- <p> On Vitalogy, Pearl Jam, America's dominant rock group,
- once again delivers an impressive mix of power and melody
- </p>
- <p>By Christopher John Farley
- </p>
- <p> Like butterflies or Apollo rockets, the careers of
- rock-'n'-roll superstars typically have multiple stages. In the
- first, the rock star sings powerfully and touchingly about the
- sweet pangs of adolescence and the seemingly endless wait for
- adulthood. In Stage 2, the rock star screeches churlishly about
- the unbearable pain of megacelebrity and the seemingly endless
- wait for room service at the Four Seasons. And in the third and
- last stage, the rock star goes on MTV Unplugged and performs all
- the songs from the first and second stages, only this time with
- acoustic instruments.
- </p>
- <p> The terrifyingly popular Seattle-based rock group Pearl
- Jam has released just three full-length albums but has already
- ripped through all the stages of rock stardom in record time.
- The group has sung about restless youth (the song Jeremy became
- a bona fide rock anthem), it has established an adversarial
- relationship between itself and everyone else on the planet (the
- band's last album bore the confrontational title Vs.), and, yes,
- it's made the inevitable pilgrimage to MTV Unplugged. Now what?
- Having gone from larva to butterfly, does the band flutter to
- the ground, its brief season done? Not exactly. Pearl Jam's
- vigorous new CD, Vitalogy, shows that, having come to the end
- of one rock-group cycle, the band still has a lot to say.
- </p>
- <p> Vitalogy explores in more depth some of the themes the
- band has touched on in the past: alienation; the glory of
- youth; mortality; the difficulties that come with living in the
- public eye. The album has its share of stinkers--the
- accordion-driven Bugs, for example, sounds like something circus
- clowns might perform before a Greenwich Village poetry slam. But
- that's one admirably experimental failure on a largely
- successful album. Pearl Jam's great talent is the ability to
- meld melody and power: the music is sweet and dangerous. On
- Corduroy, the album's best song, lead singer Eddie Vedder
- delivers an impassioned antimedia rant backed up by scathing
- guitars--but the melody is pretty and whistleable, and you can't
- forget it.
- </p>
- <p> Vedder, the group's lyricist, continues to improve as a
- songwriter. "Don't need a hand," he declares on Whipping, slyly
- adding, "There's always arms attached." His most troubling fault
- is that he tries to build a sense of community among his fans
- by shutting others out. On Not for You he declares that his
- music isn't for all people, just the right people, his kind of
- people: "Small my table/ Sits just two...this is not for you/
- Never was for you." As it is, the world is already full of too
- many people who want to keep only with their own kind. Do
- hipper-than-thou Seattle rock bands now share the sentiment?
- When a group is as good as Pearl Jam, it's too bad everyone
- isn't invited to listen.
- </p>
- </body>
- </article>
- </text>
-
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